Repertoire A-L
| Adams, John (1945) |
| Adès, Thomas (1971) |
| Chamber Symphony (1990) | fl, ob, bsthn, bcl, hn, tpt, tbn, 2 perc, pf, 2 vl, va, vc, db | 14′ | |
| Concerto Conciso (1997) | pf / cl, bsax, tpt, tbn, tba, perc, 3 vl, db | 14′ | |
| Living Toys (1993) | fl, ob, cl, bn, hn, tpt, tbn, perc, pf, 2 vl, va, vc, db | 19′ |
| Agostini, Andrea (1975) |
| O-zone (2003) * | elec vc | 11′ | |
| Aperghis, Georghes (1945) |
| Faux Mouvement (1995) | vl, va, vc | 12′ | |
| Quatre Pièces Fébriles (1995) | mar, pf | 17′ |
| Aralla, Paolo (1960) |
| Fragile (2010) * | fl, cl, pf, vl, va, vc | 8′ |
| Asuroglu, Utku (1986) |
| Mouches Volantes (2014) ** | fl, bcl, perc, pf, vl, va, vc | 7′ |
| Azzan, Maurizio (1987) |
| Monochrome (2018) * | vl, va, vc | 5′ | |
| Of other spaces (2017) * | fl, cl, vl, vc, pf | 19′ | |
| Wasteland_Almost a Landscape (2016) * | vl, va / fl, bcl, vc, pf, perc | 18′ |
| Bacri, Nicolas (1961) |
| Divertimento op.37 (1992) | vl, va, vc | 12′ |
| Bartók, Béla (1881-1945) |
| Contrasts (1938) | vl, cl, pf | 17′ | |
| Batia, Gabriele (1990) |
| Komorebi (2019) | fl, cl, vl, va, vc, pf, elec | 8′ |
| Bedrossian, Franck (1971) |
| Accolade (2011) | va, bfl, cbcl | 4′ | |
| L’Usage de la Parole (1999) | cl, vc, pf | 7′ |
| Beethoven, Ludwig van (1770-1827) |
| Trio op.11 (1798) | cl, vc, pf | 20′ | |
| Berg, Alban (1885-1935) |
| 4 Stücke op.5 (1913) | cl, pf | 9′ | |
| Berio, Luciano (1925-2003) |
| Air (1970) | sop / vl, va, vc, pf | 7′ | |
| Duetti (1979-83) | 2 vl | 40′ | |
| Folksongs (1964) | mez / fl, cl, 2 perc, hp, va, vc | 23′ | |
| Lied (1983) | cl | 4′ | |
| O King (1967) | mez / fl, cl, pf, vl, vc | 5′ | |
| Quattro Canzoni Popolari (1946-52, 1973) | v, pf | 12′ | |
| Sequenza I (1958) | fl | 6′ | |
| Sequenza IXa (1980) | cl | 13′ | |
| Six Encores (1965-90) | pf | 12′ |
| Bertrand, Christophe (1981-2010) |
| Satka (2008) | fl, cl, mar(vib), pf, vl, vc | 13′ | |
| Bettinelli, Bruno (1913-2004) |
| Sonatina (1945) | fl, pf | 10′ | |
| Trio (1991) | vl, vc, pf | 19′ |
| Billone, Pierluigi (1960) |
| Δίκη Wall (2012) ** | perc / bfl, bcl, vl, va, vc, pf | 26′ | |
| Brahms, Johannes (1833-1897) |
| Quartetto op.25 (1861) | pf, vl, va, vc | 40′ | |
| Trio op.114 (1891) | cl, vc, pf | 25′ |
| Bridge, Frank (1879-1941) |
| Three Idylls (1861) | 2 vl, va, vc | 14′ | |
| Britten, Benjamin (1913-1976) |
| Brown, Earle (1926-2002) |
| December ’52 (1952) | one or more instruments and/or sound producing media | 9′ | |
| Bussotti, Sylvano (1931) |
| Arlequin Poupí (2010) * | pf / 5 players | 6′ | |
| Autotono (1977) | fl, cl, vl, va, vc, pf | 10′ | |
| Brutto ignudo (1980) | bcl | 8′ | |
| Couple (1959) | fl, pf | 5′ | |
| Gran Duo (1977-78) | vc, pf | 11′ | |
| Nudo Disteso (1980) | va | 4′ | |
| Per Tre (1959) | 3 players | x’ | |
| Phrase à Trois (1960) | vl, va, vc | x’ | |
| Quartetto Gramsci (1971) | 2 vl, va, vc | 15′ | |
| Rara Film (Original Music for the Movie) (1967-69) | mez, 2 bass, perc, vl, 2 pf | 60′ | |
| Solo I da “La Passion Selon Sade” (1965) | fl, cl, vl, va, vc, pf (version by Paolo Casiraghi) | x’ | |
| Trio Milano (Assente il Pianoforte)(2012) * | vl, va, vc | 10′ |
| Cage, John (1912-1992) |
| Five (1988) | 5 voices or any instrument | 5′ | |
| Ophelia (1946) | pf | 8′ | |
| Seven (1988) | fl, cl, perc, pf, vl, va, vc | 20′ | |
| Sonatas and Interludes (1948) | pf | 70′ |
| Caneva, Sara (1991) |
| Become a fan (2016) | fl, cl, vl, vc, pf, 2 fans | 9′ | |
| Night is night, no matter how long (2019) | v / 6 players | 30′ |
| Carter, Elliott (1908-2012) |
| Con Leggerezza Pensosa (1994) | cl, vl, vc | 5′ | |
| Triple Duo (1983) | fl, cl, vl, vc, pf, perc | 22′ |
| Casale, Emanuele (1974) |
| 5 (2003) | fl, cl, electr | 9′ | |
| 7 (2004) | 2 vl, va, vc | 10′ | |
| 11 (2008) | fl, ob, cl, bn, hp, tpt, tbn, 2 perc, pf, 2 vl, va, vc, electr | 17′ | |
| Composizione per 5 Strumenti (1998) | fl in G, bcl, pf, vl, vc | 9′ | |
| Esistere Lago, Nulla e un Tempo (2007) | fl, ob, cl, bn, hp, perc, pf, 2 vl, va, vc | 12′ | |
| Questo è un Gruppo e Pace (2014) * | vl, va, vc, pf, electr | 14′ |
| Castiglioni, Niccolò (1932-1996) |
| 5 liriche su poesie infantili (1954) | sop / ob, 2 cl, bn, tpt, va | 10′ | |
| 11 Danze per la Bella Verena (1996) | vl, pf | 8′ | |
| Daleth (1979) | cl, pf | 6′ | |
| Granulation (1967) | 2 fl, 2 cl | 5′ | |
| Gymel (1960) | fl, pf | 5′ | |
| Intonazione (1992) | fl, ob, vl, vc | 10′ | |
| Quattro canti (1954) * | pf | 7′ | |
| Quattro liriche di Garcia Lorca (1954) * | sop, pf | 11′ | |
| Quilisma (1977) | 2 vl, va, vc, pf | 9′ | |
| Romanzetta (1990) | fl | ||
| Tropi (1959) * | fl, cl, vl, vc, pf, perc | 9′ |
| Cattaneo, Aureliano (1974) |
| Insieme (2015) * | fl, cl, vl, va, vc, pf | 16′ | |
| Cendo, Raphaël (1975) |
| In Vivo (2008-2011) * | 2 vl, va, vc | 18′ | |
| Clementi, Aldo (1925-2011) |
| Duetto (1983) | fl, cl, 2 instruments in echo | 8′ | |
| Coluccino, Osvaldo (1963) |
| Emblema 4 (2011) * | vl, va, vc | 9′ | |
| Combier, Jérôme (1971) |
| Embâcle (2009) | pf | 13′ | |
| Coral, Gianpaolo (1944-2011) |
| Una Lontana Eco (2009) | vl, vc, pf | 4′ | |
| Crumb, George (1929) |
| Black Angels (1990) | 2 vl, va, vc | 22′ | |
| Makrokosmos II (1973) | pf | 31′ |
| Czernowyn, Chaya (1957) |
| Ayre: Towed – Through Plumes, Thicket, Asphalt, Sawdust and Hazardous Air I Shall not Forget the Sound of (2015) ** | fl, cl, perc, pf, vl, va, vc | 10′ | |
| fardanceCLOSE (2012) ** | pf | 4′ |
| Dallapiccola, Luigi (1904-1975) |
| Ciaccona, Intermezzo e Adagio (1945) | vc | 16′ | |
| Piccola Musica Notturna (1954) | fl, ob, cl, hp, cel, vl, va, vc | 7′ |
| Darbellay, Jean-Luc (1946) |
| Pieve Caina (2013) * | fl, cl, vl, va, vc, pf | 15′ | |
| De Pablo, Luis (1930) |
| Epistola al Transuente (2000) | fl, cl, vl, va, vc, pf | 18′ | |
| De Rossi Re, Fabrizio (1960) |
| Sonno Romano (2015) | vl, va, vc | 6′ | |
| Debussy, Claude (1862-1918) |
| Six Épigraphes Antiques (1914-15) | pf4h | 16′ | |
| Sonate (1915) | vc, pf | 12′ | |
| Syrinx (1913) | fl | 3′ |
| Delahoche, Dominique (1971) |
| La Bénédiction des Poignards (2007) ** | fl, cl, vl, va, vc, pf | 9′ |
| Donatoni, Franco (1927-2000) |
| Arpège (1986) | fl, cl, vib, pf, vl, vc | 12′ | |
| Bok (1990) | bcl, mar | 2′ | |
| Cerocchi (1998) | cl, vc, pf | 2′ | |
| Clair (1980) | cl | 8′ | |
| Elly (1998) | cl, vc, pf | 1′ | |
| Etwas Ruhiger im Ausdruck (1967) | fl, cl, vl, vc, pf | 12′ | |
| Lame (1982) | vc | 10′ | |
| Lumen (1975) | fl, cl, cel, vib, va, vc | 5′ | |
| Ronda (1984) | vl, va, vc, pf | 13′ | |
| Sonata (1952) | va | 13′ | |
| Spice (Ronda n.2) (1990) | vl (va), cl, vc, pf | 6′ | |
| L’Ultima Sera (1980) | mez / fl, cl, vl, vc, pf | 19′ |
| Dufourt, Hugues (1943) |
| An Schwager Kronos (1994) | pf | 13′ | |
| L’Origine du Monde (2004) | pf / fl, ob, cl, bn, hn, tpt, tbn, 2 perc, 2 vl, va, vc, db | 16′ |
| Dusapin, Pascal (1955) |
| Inside (1980) | va | 9′ | |
| Eimermacher, Hanna (1981) |
| Den Umfang einer Wolke misst kein Mensch (2013) ** | fl, cl, pf, perc | 30′ |
| Eisler, Hanns (1898-1962) |
| Vierzehn Arten den Regen zu Beschreiben op.70 (1940-41) | fl, cl, vl, vc, pf | 14′ |
| Eötvös, Peter (1944) |
| Evangelisti, Franco (1926-80) |
| Aleatorio (1959) | 2 vl, va, vc | 5′ | |
| Farzinpour, Peyman (1971) |
| Ritorno (2013) * | fl, cl, vl, va, vc, pf, perc | 10′ | |
| Feldman, Morton (1926-1987) |
| Durations 4 (1961) | vib, vl, vc | / | |
| Extensions 3 (1952) | pf | / | |
| For Aaron Copland (1981) | vl | 5′ | |
| For Frank O’Hara (1973) | fl, cl, 2 perc, pf, vl, vc | 13′ | |
| Four Instruments (1975) | pf, vl, va, vc | 6′ | |
| Intersection 4 (1953) | vc | / | |
| Palais de Mari (1986) | pf | 24′ | |
| Projection 1 (1950) | vc | / | |
| Structures (1951) | 2 vl,va, vc | 6′ | |
| The Viola in my Life 3 (1970) | va, pf | 6′ | |
| Two Pieces (1961) | cl, 2 vl, va, vc | 6′ |
| Ferneyhough, Brian (1943) |
| Adagissimo (1983) | 2 vl, va, vc | 2′ | |
| Ferro, Francisco (1981) |
| Point – virgule (2013) * | mez, fl, cl, pf, perc, vl, va, vc | 8′ | |
| Filidei, Francesco (1973) |
| Concertino d’Autunno (2007) | fl(recorder), vl, 5 perc | 13′ | |
| Esercizio di Pazzia I (2012) | 4 players | 7′ | |
| Esercizio di Pazzia II (2014) | 4 players | 7′ | |
| L’opera (forse) (2008-09) | v / 6 players | 15′ |
| Finnis, Edmund (1984) |
| Brother / Sister (2012/15) | vl, va, vc | 5’+11′ | |
| Focus /Pull (2011) | fl, cl, eh, hn, pf, va, vc, db | 7′ | |
| In Situ (2013) * | fl, cl, perc, pf, 2 vl, va, vc, db | 13′ |
| Fiszbein, Fernando (1977) |
| Si y solo si (2004) | cl, vl, vc, pf | 7′ | |
| Francesconi, Luca (1956) |
| Animus II (2007) | va, elec | 15′ | |
| Charlie Chan (1990) | va | 3′ | |
| Unexpected end of formula (2008) | vc / fl, ob, cl, bn, hn, tpt, tbn, 2 perc, 2 vl, va, db | 25′ | |
| Viaggiatore insonne (1983) | sop / fl, cl, vl, va, vc | 9′ |
| Fuentes, Arturo (1975) |
| Skifir (2010) | fl, cl, vl, va, vc, pf | 5′ | |
| Fujikura, Dai (1977) |
| Edge of light (2002) ** | cl, vl, va, vc | 5′ | |
| Fifth Station (2003-04/2008) ** | fl, cl, hn, tpt, tbn, 2 vl, va, vc, db | 15′ | |
| Moromoro (203) ** | pf | 8′ | |
| Dai Fujikura – Time Unlocked (2007) ** | ob, cl, bn, pf, vl, va | 10′ |
| Furlani, Paolo (1964) |
| Il Colore dei Numeri (Omaggio a Paul Klee) (2012) * | fl, cl, 2 vl, va, vc, pf | 7′ |
| Furrer, Beat (1954) |
| Aria (1999) | sop, cl, perc, pf, vl, va, vc | 18′ | |
| Lied (1993) | vl, pf | 12′ | |
| Linea dell’Orizzonte (2012) | cl, tpt, tbn, vl, vc, pf, elec gtr, 2 perc | 12′ |
| Gentile, Ada (1947) |
| Around (1984) | fl, cl, va | 7′ | |
| Gentiluci, Armando (1939-1989) |
| Le Clessidre di Dürer (1985) | cl, vl, vc, pf | 12′ | |
| Memoria di un Gondellied (1983) | pf | 5′ | |
| Metafore del Tempo (1984) | pf | 9′ |
| Gervasoni, Stefano (1962) |
| Adagio Ghiacciato (2012) | toy piano (cel), vl | 4′ | |
| An “Quasi una Serenata” con la Complicità di Schubert (1990) | fl, cl, vl, va, vc | 11′ | |
| Animato (1992) | fl, cl, bn, hn, pf, vl, va, vc | 8′ | |
| Antiterra (1999) | fl, ob, cl, perc, pf, perc, gtr, mand, pf-cel, hp, vl, va, vc, db | 13′ | |
| Aster Lieder (2011) ** | sop, vl, va, vc | 15′ | |
| Due Poesie Francesi di Ungaretti (1994) | female voice, fl, cl, pf, vl, vc | 7′ | |
| Epicadenza (2004) | perc, cimb / fl, cl, hn, va, vc, db | 23′ | |
| Fado Errático (2015) ** | female voice / , fl, ob, cl, bn, hn, tpt, tbn, 3 perc, cimb, portuguese gtr, spanish gtr, hp, acc, pf-cel, 2 vl, va, vc, db, elec | 65′ | |
| Godspell (2002) | sop, fl, tpt, perc, hp, vc (2nd version: sop, fl, cl, pf, vl, vc) | 10′ | |
| Least Bee (21992) | sop, fl, cl, pf, perc, vl, va, vc | 15′ | |
| Prés – III Book (2015) | pf | 14′ | |
| Recercar Chromatico Post il Credo (2005) | 2 vl, va, vc | 8′ | |
| Tornasole (1992-93) | va | 7′ |
| Gómez-Chao Porta, Hugo (1995) |
| Mesure d’attente | vl, va, vc | ||
| Gorli, Sandro (1948) |
| Canzone (2010) * | fl, cl, vl, va, vc, pf | 4′ | |
| La Stanza Segreta (1990) | fl, cl, pf, vl, va, vc | 14′ |
| Grisey, Gérard (1946-1998) |
| Anubis-Nout (1983) | cbcl | 13′ | |
| Périodes (1974) | cbcl | 16′ | |
| Quatre Chants pour Franchir le Seuil (1996/98) | fl, cl, btbn, vl, va, vc, db | 40′ | |
| Vortex Temporum I, II, III (1994-96) | fl, cl, pf, vl, va, vc | 40′ |
| Guaccero, Domenico (1927-1984) |
| Cadenza | va | 5′ | |
| Sonatina Prima (1956-57) | pf | 11′ |
| Guarnieri, Adriano (1947) |
| L’Amor che move il Sole e le Altre Stelle (2015) | 2 sop, cT / 2 sop, alt, cT / 7 tpt / choir: 4 sop, 2 alt, 2 ten, 2 bas / 2 fl, ob, hn, 2 tbn, pf, perc, 4 vl, 2 va, 2 vc, db, elec | 60′ |
| Gubajdulina, Sofija (1931) |
| String Quartet n.3 (1987) | 2 vl, va, vc | 18′ | |
| String Trio (1988) ** | vl, va, vc | 20′ |
| Haas, Georg Friedrich (1953) |
| „… aus freier Lust … verbunden …“ (1996) | bfl, bcl, va | 11′ | |
| Equinox (2018) | cl, vc, pf | 22′ | |
| Quartetto n.9 (2016) | 2vl, va, vc | 35′ | |
| Tria ex uno (2001) | fl, cl, perc, pf, vl, vc | 15′ |
| Haas, Pavel (1899-1944) |
| String Quartet n.3 (1937-38) | 2 vl, va, vc | 22′ | |
| Harada, Keiko (1968) |
| Abyss (2001) | cl, vl, vc | 9′ | |
| Harvey, Jonathan (1939-2012) |
| Le Tombeau de Messiaen (1994) | pf | 9′ | |
| Lotuses (1992) | fl, vl, va, vc | 17′ | |
| Run before Lightning (2004) | fl, pf | 8′ |
| Hejebri, Daphné (1996) |
| A porte chiuse (2020) * | 2 vl, va, vc, elec | 10′ |
| Henze, Hans Werner (1926-2012) |
| Quattro Fantasie (1963) | cl, bn, hn, 2 vl, va, vc, db | 25′ | |
| Hervé, Jean-Luc (1960) |
| Dans les Ombres des Anges (1999) | fl, cl, vc, perc | 5′ | |
| Hindemith, Paul (1895-1963) |
| 8 Stücke (1927) | fl | 7′ | |
| Zwei Duetten (1932) | vl, cl | 5′ |
| Holliger, Heinz (1939) |
| Quartetto n.2 (2007) | 2 vl, va, vc | 23′ | |
| Hosokawa, Toshio (1955) |
| Aya (2016) * | fl, vl, va, vc | 7′ | |
| Vertical Time Study I (1993) | cl, vc, pf | 10′ |
| Huber, Klaus (1924) |
| Des Dichters Pflug (1989) | vl, va, vc | 15′ | |
| Iannotta, Clara (1983) |
| D’Après (2012) | fl, cl, pf, perc, vl, va, vc | 8′ | |
| Limun (2011) | vl, va, 2 page-turners | 10′ |
| Incardona, Federico (1958-2006) |
| Due Volti – Primo Notturno (1987) | cl, va | 9′ | |
| Il Far della Luna (2001) | fl, cl, vl, vc, pf | 9′ | |
| Notturno (Douce) II (1988) | va, vc | 10′ | |
| Sulla Lontananza dell’Amico Dilettissimo (1986) | fl, cl, pf-cel | 10′ |
| Ives, Charles (1874-1954) |
| Largo (1934) | cl, vl, pf | 6′ | |
| Janáček, Leóš (1854-1928) |
| Quartetto n.1 “Sonata a Kreutzer” (1923) | 2 vl, va, vc | 19′ |
| Järnegard, Esaias (1983) |
| Isola. Pharos (2016) * | perc / vl, va, vc, fl, cl, pf | 12′ | |
| Kagel, Mauricio (1931-2008) |
| Con Voce (1972-73) | 3 players | 3-7′ | |
| Ludwig van – Homage by Beethoven (1969-70) | unspecified organic | 15′ |
| Kaleli, Emre Sihan (1987) |
| Adjacent rooms, for Borges (2018) | fl, cl, vl, va, vc, pf | 7′ | |
| Kawakami, Noriko (1955) |
| Keller, Max E. (1947) |
| Keim – Con Sorpresa (2013) * | fl, cl, vl, va, vc, pf | 12′ | |
| Kishino, Malika (1971) |
| Klein, Gideon (1919-1945) |
| Trio (1944) | vl, va, vc | 13′ | |
| Kodály, Zoltán (1882-1967) |
| Sonata op.4 (1909-10) | vc, pf | 19′ | |
| Kourliandski, Dmitri (1976) |
| Broken Memory (2005) | vl, vc, pf | 13′ | |
| Maps of non-existent Cities. St. Petersburg (2015) | vl | 50′ | |
| Punctuation Marks (2008) | fl, cl, pf(acc), vl, vc | 14′ |
| Krása, Hans (1899-1944) |
| Theme and Variations (1936) | 2 vl, va, vc | 10′ | |
| Kurtág, György (1926) |
| Doloroso (2015) | fl | 2′ | |
| Hommage à R. Sch. op.15d (1990) | cl, va, pf | 12′ |
| Kyburz, Hanspeter (1960) |
| Danse Aveugle (1996-97) | fl, cl, vl, vc, pf | 18′ | |
| Lachenmann, Helmut (1935) |
| Allegro Sostenuto (1986-88) | cl, vc, pf | 34′ | |
| Dal Niente (1970) | cl | 12′ | |
| Fünf Variationen über ein Thema von Franz Schubert (1956) | pf | 7′ | |
| Guero (1970-88) | pf | 3′ | |
| Pression (1969-2010) | vc | 9′ | |
| Serynade (1998-2000) | pf | 32′ | |
| String Trio (1965) | vl, va, vc | 10′ | |
| temA (1968) | fl, v, vc | 14′ | |
| Toccatina (1986) | vl | 5′ | |
| Trio Fluido (1966-67) | cl, va, perc | 16′ |
| Languillat, Raphael (1989) |
| Crucifixion (D’Après le Perugin) (2015) | fl, cl, perc, pf, vl, vc | 13′ |
| Lanza, Mauro (1975) |
| John Conway in Gondola – in Compagnia di Marcel Proust e Augusto Salvadori (2015) | vl, vc, pf | 5′ | |
| La Bataille de Caresme et de Charnage (2012) * | vc, pf (2nd version: vc, elec) | 14′ | |
| Mess (2008) | pf | 6′ | |
| Predellino (2005) | pf | 6′ | |
| Systema Naturae (2013-17) (with Andrea Valle) * | vl, va, vc, fl, ob, cl, sax, perc, pf, gtr + electromagnetic devices | 12′ | |
| The Skin of the Onion (2002) | fl, cl, perc, pf, vl, vc | 10′ | |
| Tutto ciò che è solido si dissolve nell’aria (2015) | fl, cl, perc, pf, va, vc | 10′ |
| Lauvray, Quentin (1997) |
| Legaki, Vasiliki (1976) |
| Ortsa | vl, va | ||
| Leitempergher, Simonluca |
| Watchamacallit (2017) * | ensemble and live electronics | ||
| Ligeti, György (1923-2006) |
| Sonata (1948-53) | vc | 9′ | |
| Lim, Liza (1966) |
| The Heasrt’s Ear (1997) | fl, cl, 2 vl, va, vc | 12′ | |
| Lin, Wei-Chieh (1982) |
| Om (2016) | fl, cl, vl, va, vc, pf | 15′ | |
| Lo Curto, Giovanni Enrico (1980) |
| L’Essere della Musica | vl | 6′ | |
| Natura Renovatur (2014) * | cl, vl, va, vc, pf | 10′ | |
| Nuovi Fiori Musicali (2013) * | fl, cl, perc, pf, vl, va, vc | 11′ |
| Lopez, George (1955) |
| Dehnbare Puppe mit Reißverschluss (2003) * | fl, cl, va, vc, pf | 15′ |
| Lutoslawski, Witold (1913-1994) |
| Dance Preludes (1954) | cl, pf | 12′ | |

