Repertorio A-L
Adams, John (1945) |
Adès, Thomas (1971) |
Chamber Symphony (1990) | fl, ob, bsthn, bcl, hn, tpt, tbn, 2 perc, pf, 2 vl, va, vc, db | 14′ | |
Concerto Conciso (1997) | pf / cl, bsax, tpt, tbn, tba, perc, 3 vl, db | 14′ | |
Living Toys (1993) | fl, ob, cl, bn, hn, tpt, tbn, perc, pf, 2 vl, va, vc, db | 19′ |
Agostini, Andrea (1975) |
O-zone (2003) * | elec vc | 11′ | |
Aperghis, Georghes (1945) |
Faux Mouvement (1995) | vl, va, vc | 12′ | |
Quatre Pièces Fébriles (1995) | mar, pf | 17′ |
Aralla, Paolo (1960) |
Fragile (2010) * | fl, cl, pf, vl, va, vc | 8′ |
Asuroglu, Utku (1986) |
Mouches Volantes (2014) ** | fl, bcl, perc, pf, vl, va, vc | 7′ |
Azzan, Maurizio (1987) |
Monochrome (2018) * | vl, va, vc | 5′ | |
Of other spaces (2017) * | fl, cl, vl, vc, pf | 19′ | |
Wasteland_Almost a Landscape (2016) * | vl, va / fl, bcl, vc, pf, perc | 18′ |
Bacri, Nicolas (1961) |
Divertimento op.37 (1992) | vl, va, vc | 12′ |
Bartók, Béla (1881-1945) |
Contrasts (1938) | vl, cl, pf | 17′ | |
Batia, Gabriele (1990) |
Komorebi (2019) | fl, cl, vl, va, vc, pf, elec | 8′ |
Bedrossian, Franck (1971) |
Accolade (2011) | va, bfl, cbcl | 4′ | |
L’Usage de la Parole (1999) | cl, vc, pf | 7′ | |
We met as Sparks (2015) | bfl, cbcl, va, vc | 12′ |
Beethoven, Ludwig van (1770-1827) |
Trio op.11 (1798) | cl, vc, pf | 20′ | |
Berg, Alban (1885-1935) |
4 Stücke op.5 (1913) | cl, pf | 9′ | |
Adagio dal Kammerkonzert (1925) | cl, vl, pf | 15′ | |
Berio, Luciano (1925-2003) |
Air (1970) | sop / vl, va, vc, pf | 7′ | |
Berceuse (1998) | 4 optional instruments | 2′ | |
Chanson (1970) | vc | ||
Comma (1987) | cl | 2′ | |
Duetti (1979-83) | 2 vl | 40′ | |
Glossa (1997) | cl, va | 2′ | |
Folksongs (1964) | mez / fl, cl, 2 perc, hp, va, vc | 23′ | |
Les mots sont alles (1978) | vc | 4′ | |
Lied (1983) | cl | 4′ | |
Naturale (1985) | va, perc, elec | 20′ | |
O King (1967) | mez / fl, cl, pf, vl, vc | 5′ | |
Quattro Canzoni Popolari (1946-52, 1973) | v, pf | 12′ | |
Sequenza I (1958) | fl | 6′ | |
Sequenza IXa (1980) | cl | 13′ | |
Six Encores (1965-90) | pf | 12′ |
Bertrand, Christophe (1981-2010) |
Satka (2008) | fl, cl, mar(vib), pf, vl, vc | 13′ | |
Bettinelli, Bruno (1913-2004) |
Sonatina (1945) | fl, pf | 10′ | |
Trio (1991) | vl, vc, pf | 19′ |
Billone, Pierluigi (1960) |
Δίκη Wall (2012) ** | perc / bfl, bcl, vl, va, vc, pf | 26′ | |
Borzelli, Silvia (1978) |
after-image (2019) | bcl, 2vl, va, vc | 12′ | |
Further in (2014) | vc, pf | 9′ | |
hyper-image (2020) * | pf / fl, cl, vl, va, vc | 18′ |
Boulez, Pierre (1925-2016) |
Improvisé (1969) | pf, fl, cl, va, vc | 4′ |
Brahms, Johannes (1833-1897) |
Quartetto op.25 (1861) | pf, vl, va, vc | 40′ | |
Trio op.114 (1891) | cl, vc, pf | 25′ |
Bridge, Frank (1879-1941) |
Three Idylls (1861) | 2 vl, va, vc | 14′ | |
Britten, Benjamin (1913-1976) |
Brown, Earle (1926-2002) |
December ’52 (1952) | one or more instruments and/or sound producing media | 9′ | |
Brown, Stacey (1976) |
Moment (2020) | cl, vl, pf | 5′ | |
Bussotti, Sylvano (1931) |
Arlequin Poupí (2010) * | pf / 5 players | 6′ | |
Autotono (1977) | fl, cl, vl, va, vc, pf | 10′ | |
Brutto ignudo (1980) | bcl | 8′ | |
Couple (1959) | fl, pf | 5′ | |
Gran Duo (1977-78) | vc, pf | 11′ | |
Nudo Disteso (1980) | va | 4′ | |
Per Tre (1959) | 3 players | x’ | |
Phrase à Trois (1960) | vl, va, vc | x’ | |
Quartetto Gramsci (1971) | 2 vl, va, vc | 15′ | |
Rara Film (Original Music for the Movie) (1967-69) | mez, 2 bass, perc, vl, 2 pf | 60′ | |
Solo I da “La Passion Selon Sade” (1965) | fl, cl, vl, va, vc, pf (version by Paolo Casiraghi) | x’ | |
Trio Milano (Assente il Pianoforte)(2012) * | vl, va, vc | 10′ |
Cage, John (1912-1992) |
Five (1988) | 5 voices or any instrument | 5′ | |
Ophelia (1946) | pf | 8′ | |
Seven (1988) | fl, cl, perc, pf, vl, va, vc | 20′ | |
Sonatas and Interludes (1948) | pf | 70′ |
Caneva, Sara (1991) |
Become a fan (2016) | fl, cl, vl, vc, pf, 2 fans | 9′ | |
Night is night, no matter how long (2019) | v / 6 players | 30′ |
Carter, Elliott (1908-2012) |
Con Leggerezza Pensosa (1994) | cl, vl, vc | 5′ | |
Esprit rude / esprit doux (1985) | fl, cl | 4′ | |
Triple Duo (1983) | fl, cl, vl, vc, pf, perc | 22′ |
Casale, Emanuele (1974) |
5 (2003) | fl, cl, electr | 9′ | |
7 (2004) | 2 vl, va, vc | 10′ | |
11 (2008) | fl, ob, cl, bn, hp, tpt, tbn, 2 perc, pf, 2 vl, va, vc, electr | 17′ | |
Composizione per 5 Strumenti (1998) | fl in G, bcl, pf, vl, vc | 9′ | |
Esistere Lago, Nulla e un Tempo (2007) | fl, ob, cl, bn, hp, perc, pf, 2 vl, va, vc | 12′ | |
Questo è un Gruppo e Pace (2014) * | vl, va, vc, pf, electr | 14′ |
Castiglioni, Niccolò (1932-1996) |
5 liriche su poesie infantili (1954) | sop / ob, 2 cl, bn, tpt, va | 10′ | |
11 Danze per la Bella Verena (1996) | vl, pf | 8′ | |
Daleth (1979) | cl, pf | 6′ | |
Granulation (1967) | 2 fl, 2 cl | 5′ | |
Gymel (1960) | fl, pf | 5′ | |
Intonazione (1992) | fl, ob, vl, vc | 10′ | |
Quattro canti (1954) * | pf | 7′ | |
Quattro liriche di Garcia Lorca (1954) * | sop, pf | 11′ | |
Quilisma (1977) | 2 vl, va, vc, pf | 9′ | |
Romanzetta (1990) | fl | ||
Tropi (1959) * | fl, cl, vl, vc, pf, perc | 9′ |
Cattaneo, Aureliano (1974) |
Insieme (2015) * | fl, cl, vl, va, vc, pf | 16′ | |
Seeds (2004) | fl, cl, vl, vc, pf | 10′ | |
Trio n.3 (2005) | vl, va, vc, elec | 11′ |
Cendo, Raphaël (1975) |
In Vivo (2008-2011) * | 2 vl, va, vc | 18′ | |
Ciceri, Carlo (1980-2022) |
Cria (2013) | afl, bcl, vl, vc | 3′ | |
Criteria Insorge (2014) | vl, va, vc | 15′ | |
Cruda (2012) | vl, va, vc, elec | 6′ | |
Lucida roccia madre (2007) | fl, cl, vl, va, vc | 5′ | |
Vana (2009) | va / vl, vc, bfl, ob, bcl | 13′ | |
Violata II (2009) | va, bfl | 11′ |
Clementi, Aldo (1925-2011) |
Duetto (1983) | fl, cl, 2 instruments in echo | 8′ | |
Clera, Mattia (1987) |
Tutto è corpo (2022) * | vc, pf, elec | ||
Coluccino, Osvaldo (1963) |
Emblema 4 (2011) * | vl, va, vc | 9′ | |
Combier, Jérôme (1971) |
Embâcle (2009) | pf | 13′ | |
Coral, Gianpaolo (1944-2011) |
Una Lontana Eco (2009) | vl, vc, pf | 4′ | |
Crumb, George (1929) |
Black Angels (1990) | 2 vl, va, vc | 22′ | |
Makrokosmos II (1973) | pf | 31′ |
Current, Brian (1972) |
These begin to catch fire (2012) | vl vc, pf | 12′ |
Czernowyn, Chaya (1957) |
Ayre: Towed – Through Plumes, Thicket, Asphalt, Sawdust and Hazardous Air I Shall not Forget the Sound of (2015) ** | fl, cl, perc, pf, vl, va, vc | 10′ | |
fardanceCLOSE (2012) ** | pf | 4′ |
Dallapiccola, Luigi (1904-1975) |
Ciaccona, Intermezzo e Adagio (1945) | vc | 16′ | |
Piccola Musica Notturna (1954) | fl, ob, cl, hp, cel, vl, va, vc | 7′ |
Darbellay, Jean-Luc (1946) |
Pieve Caina (2013) * | fl, cl, vl, va, vc, pf | 15′ | |
De Cervin, Ernesto Rubin (1936-2013) |
Dono n.4 (1994) | fl, cl, pf, vl, vc | ||
De Grandis, Renato (1927-2008) |
MELEK nato, dal cuore luminoso (1978) | fl | ||
MELEK nato, dal cuore luminoso (1978) | fl, cl, gtr, pf, vl, vc | ||
De Pablo, Luis (1930) |
Epistola al Transuente (2000) | fl, cl, vl, va, vc, pf | 18′ | |
De Rossi Re, Fabrizio (1960) |
Sonno Romano (2015) | vl, va, vc | 6′ | |
Debussy, Claude (1862-1918) |
Six Épigraphes Antiques (1914-15) | pf4h | 16′ | |
Sonate pour violoncelle et piano (1915) | vc, pf | 12′ | |
Sonate pour flûte, alto et harpe (1915) | fl, va, hp | 20′ | |
Syrinx (1913) | fl | 3′ |
Delahoche, Dominique (1971) |
La Bénédiction des Poignards (2007) ** | fl, cl, vl, va, vc, pf | 9′ |
Di Bari, Marco (1958) |
Et les ondes chantent, même (2015) | fl, vl, va, vc |
Di Castri, Zosha (1985) |
La forma dello spazio (2010) | fl, cl, vl, vc, pf | 8′ |
Donatoni, Franco (1927-2000) |
Arpège (1986) | fl, cl, vib, pf, vl, vc | 12′ | |
Bok (1990) | bcl, mar | 2′ | |
Cerocchi (1998) | cl, vc, pf | 2′ | |
Clair (1980) | cl | 8′ | |
Elly (1998) | cl, vc, pf | 1′ | |
Etwas Ruhiger im Ausdruck (1967) | fl, cl, vl, vc, pf | 12′ | |
Lame (1982) | vc | 10′ | |
Lumen (1975) | fl, cl, cel, vib, va, vc | 5′ | |
Ronda (1984) | vl, va, vc, pf | 13′ | |
Small II (1993) | fl, va, hp | 6′ | |
Sonata (1952) | va | 13′ | |
Spice (Ronda n.2) (1990) | vl (va), cl, vc, pf | 6′ | |
L’Ultima Sera (1980) | mez / fl, cl, vl, vc, pf | 19′ |
Dufourt, Hugues (1943) |
An Schwager Kronos (1994) | pf | 13′ | |
L’Origine du Monde (2004) | pf / fl, ob, cl, bn, hn, tpt, tbn, 2 perc, 2 vl, va, vc, db | 16′ |
Dusapin, Pascal (1955) |
Inside (1980) | va | 9′ | |
Eimermacher, Hanna (1981) |
Den Umfang einer Wolke misst kein Mensch (2013) ** | fl, cl, pf, perc | 30′ |
Eisler, Hanns (1898-1962) |
Vierzehn Arten den Regen zu Beschreiben op.70 (1940-41) | fl, cl, vl, vc, pf | 14′ |
Eötvös, Peter (1944) |
Evangelisti, Franco (1926-80) |
Aleatorio (1959) | 2 vl, va, vc | 5′ | |
Farzinpour, Peyman (1971) |
Ritorno (2013) * | fl, cl, vl, va, vc, pf, perc | 10′ | |
Feldman, Morton (1926-1987) |
Durations 4 (1961) | vib, vl, vc | / | |
Extensions 3 (1952) | pf | / | |
For Aaron Copland (1981) | vl | 5′ | |
For Frank O’Hara (1973) | fl, cl, 2 perc, pf, vl, vc | 13′ | |
Four Instruments (1975) | pf, vl, va, vc | 6′ | |
Intersection 4 (1953) | vc | / | |
Palais de Mari (1986) | pf | 24′ | |
Projection 1 (1950) | vc | / | |
Structures (1951) | 2 vl,va, vc | 6′ | |
The Viola in my Life 3 (1970) | va, pf | 6′ | |
Two Pieces (1961) | cl, 2 vl, va, vc | 6′ |
Ferneyhough, Brian (1943) |
Adagissimo (1983) | 2 vl, va, vc | 2′ | |
Ferro, Francisco (1981) |
Point – virgule (2013) * | mez, fl, cl, pf, perc, vl, va, vc | 8′ | |
Filidei, Francesco (1973) |
Concertino d’Autunno (2007) | fl(recorder), vl, 5 perc | 13′ | |
Esercizio di Pazzia I (2012) | 4 players | 7′ | |
Esercizio di Pazzia II (2014) | 4 players | 7′ | |
L’opera (forse) (2008-09) | v / 6 players | 15′ |
Finnis, Edmund (1984) |
Brother / Sister (2012/15) | vl, va, vc | 5’+11′ | |
Focus /Pull (2011) | fl, cl, eh, hn, pf, va, vc, db | 7′ | |
In Situ (2013) * | fl, cl, perc, pf, 2 vl, va, vc, db | 13′ |
Finzi, Aldo (1897-1945) |
Sonata (1920) | vl, pf | 20′ |
Fiszbein, Fernando (1977) |
Si y solo si (2004) | cl, vl, vc, pf | 7′ | |
Francesconi, Luca (1956) |
Animus II (2007) | va, elec | 15′ | |
Charlie Chan (1990) | va | 3′ | |
Unexpected end of formula (2008) | vc / fl, ob, cl, bn, hn, tpt, tbn, 2 perc, 2 vl, va, db | 25′ | |
Viaggiatore insonne (1983) | sop / fl, cl, vl, va, vc | 9′ |
Fuentes, Arturo (1975) |
Skifir (2010) | fl, cl, vl, va, vc, pf | 5′ | |
Fujikura, Dai (1977) |
Edge of light (2002) ** | cl, vl, va, vc | 5′ | |
Fifth Station (2003-04/2008) ** | fl, cl, hn, tpt, tbn, 2 vl, va, vc, db | 15′ | |
Moromoro (203) ** | pf | 8′ | |
Dai Fujikura – Time Unlocked (2007) ** | ob, cl, bn, pf, vl, va | 10′ |
Furlani, Paolo (1964) |
Il Colore dei Numeri (Omaggio a Paul Klee) (2012) * | fl, cl, 2 vl, va, vc, pf | 7′ |
Furrer, Beat (1954) |
Aria (1999) | sop, cl, perc, pf, vl, va, vc | 18′ | |
Lied (1993) | vl, pf | 12′ | |
Linea dell’Orizzonte (2012) | cl, tpt, tbn, vl, vc, pf, elec gtr, 2 perc | 12′ |
Gentile, Ada (1947) |
Around (1984) | fl, cl, va | 7′ | |
Gentiluci, Armando (1939-1989) |
Le Clessidre di Dürer (1985) | cl, vl, vc, pf | 12′ | |
Memoria di un Gondellied (1983) | pf | 5′ | |
Metafore del Tempo (1984) | pf | 9′ |
Gervasoni, Stefano (1962) |
Adagio Ghiacciato (2012) | toy piano (cel), vl | 4′ | |
An “Quasi una Serenata” con la Complicità di Schubert (1990) | fl, cl, vl, va, vc | 11′ | |
Animato (1992) | fl, cl, bn, hn, pf, vl, va, vc | 8′ | |
Antiterra (1999) | fl, ob, cl, perc, pf, perc, gtr, mand, pf-cel, hp, vl, va, vc, db | 13′ | |
Aster Lieder (2011) ** | sop, vl, va, vc | 15′ | |
Due Poesie Francesi di Ungaretti (1994) | female voice, fl, cl, pf, vl, vc | 7′ | |
Epicadenza (2004) | perc, cimb / fl, cl, hn, va, vc, db | 23′ | |
Fado Errático (2015) ** | female voice / , fl, ob, cl, bn, hn, tpt, tbn, 3 perc, cimb, portuguese gtr, spanish gtr, hp, acc, pf-cel, 2 vl, va, vc, db, elec | 65′ | |
Godspell (2002) | sop, fl, tpt, perc, hp, vc (2nd version: sop, fl, cl, pf, vl, vc) | 10′ | |
Least Bee (21992) | sop, fl, cl, pf, perc, vl, va, vc | 15′ | |
Prés – III Book (2015) | pf | 14′ | |
Recercar Chromatico Post il Credo (2005) | 2 vl, va, vc | 8′ | |
Tornasole (1992-93) | va | 7′ |
Gómez-Chao Porta, Hugo (1995) |
Mesure d’attente | vl, va, vc | ||
Gorli, Sandro (1948) |
Canzone (2010) * | fl, cl, vl, va, vc, pf | 4′ | |
La Stanza Segreta (1990) | fl, cl, pf, vl, va, vc | 14′ |
Grisey, Gérard (1946-1998) |
Anubis-Nout (1983) | cbcl | 13′ | |
Périodes (1974) | cbcl | 16′ | |
Quatre Chants pour Franchir le Seuil (1996/98) | fl, cl, btbn, vl, va, vc, db | 40′ | |
Vortex Temporum I, II, III (1994-96) | fl, cl, pf, vl, va, vc | 40′ |
Guaccero, Domenico (1927-1984) |
Cadenza | va | 5′ | |
Sonatina Prima (1956-57) | pf | 11′ |
Guarnieri, Adriano (1947) |
L’Amor che move il Sole e le Altre Stelle (2015) | 2 sop, cT / 2 sop, alt, cT / 7 tpt / choir: 4 sop, 2 alt, 2 ten, 2 bas / 2 fl, ob, hn, 2 tbn, pf, perc, 4 vl, 2 va, 2 vc, db, elec | 60′ |
Gubajdulina, Sofija (1931) |
String Quartet n.3 (1987) | 2 vl, va, vc | 18′ | |
String Trio (1988) ** | vl, va, vc | 20′ |
Haas, Georg Friedrich (1953) |
„… aus freier Lust … verbunden …“ (1996) | bfl, bcl, va | 11′ | |
Equinox (2018) | cl, vc, pf | 22′ | |
Quartetto n.9 (2016) | 2vl, va, vc | 35′ | |
Tria ex uno (2001) | fl, cl, perc, pf, vl, vc | 15′ |
Haas, Pavel (1899-1944) |
String Quartet n.3 (1937-38) | 2 vl, va, vc | 22′ | |
Harada, Keiko (1968) |
Abyss (2001) | cl, vl, vc | 9′ | |
Harvey, Jonathan (1939-2012) |
Le Tombeau de Messiaen (1994) | pf | 9′ | |
Lotuses (1992) | fl, vl, va, vc | 17′ | |
Run before Lightning (2004) | fl, pf | 8′ |
Hejebri, Daphné (1996) |
A porte chiuse (2020) * | 2 vl, va, vc, elec | 10′ |
Henze, Hans Werner (1926-2012) |
Quattro Fantasie (1963) | cl, bn, hn, 2 vl, va, vc, db | 25′ | |
Hervé, Jean-Luc (1960) |
Dans les Ombres des Anges (1999) | fl, cl, vc, perc | 5′ | |
Hindemith, Paul (1895-1963) |
8 Stücke (1927) | fl | 7′ | |
Zwei Duetten (1932) | vl, cl | 5′ |
Holliger, Heinz (1939) |
Quartetto n.2 (2007) | 2 vl, va, vc | 23′ | |
Hosokawa, Toshio (1955) |
Aya (2016) * | fl, vl, va, vc | 7′ | |
Vertical Time Study I (1993) | cl, vc, pf | 10′ |
Huber, Klaus (1924) |
Des Dichters Pflug (1989) | vl, va, vc | 15′ | |
Iannotta, Clara (1983) |
D’Après (2012) | fl, cl, pf, perc, vl, va, vc | 8′ | |
Dead wasps in the jam-jar (iii) (2017-18) | 2 vl, va, vc, laptop | 14′ | |
Limun (2011) | vl, va, 2 page-turners | 10′ |
Incardona, Federico (1958-2006) |
Due Volti – Primo Notturno (1987) | cl, va | 9′ | |
Il Far della Luna (2001) | fl, cl, vl, vc, pf | 9′ | |
Notturno (Douce) II (1988) | va, vc | 10′ | |
Sulla Lontananza dell’Amico Dilettissimo (1986) | fl, cl, pf-cel | 10′ |
Ives, Charles (1874-1954) |
Largo (1934) | cl, vl, pf | 6′ | |
Janáček, Leóš (1854-1928) |
Quartetto n.1 “Sonata a Kreutzer” (1923) | 2 vl, va, vc | 19′ |
Järnegard, Esaias (1983) |
Isola. Pharos (2016) * | perc / vl, va, vc, fl, cl, pf | 12′ | |
Kagel, Mauricio (1931-2008) |
Con Voce (1972-73) | 3 players | 3-7′ | |
Ludwig van – Homage by Beethoven (1969-70) | unspecified organic | 15′ |
Kaleli, Emre Sihan (1987) |
Adjacent rooms, for Borges (2018) | fl, cl, vl, va, vc, pf | 7′ | |
Kawakami, Noriko (1955) |
Keller, Max E. (1947) |
Keim – Con Sorpresa (2013) * | fl, cl, vl, va, vc, pf | 12′ | |
Kishino, Malika (1971) |
Épanouissement (2016) | vc | 12′ | |
Naki-ryu 2 (flutter echo) (2018) | 2 vl, va, vc | 13′ | |
Klein, Gideon (1919-1945) |
Trio (1944) | vl, va, vc | 13′ | |
Kodály, Zoltán (1882-1967) |
Sonata op.4 (1909-10) | vc, pf | 19′ | |
Kourliandski, Dmitri (1976) |
Broken Memory (2005) | vl, vc, pf | 13′ | |
Maps of non-existent Cities. St. Petersburg (2015) | vl | 50′ | |
Punctuation Marks (2008) | fl, cl, pf(acc), vl, vc | 14′ |
Krása, Hans (1899-1944) |
Theme and Variations (1936) | 2 vl, va, vc | 10′ | |
Kurtág, György (1926) |
Doloroso (2015) | fl | 2′ | |
Hommage à R. Sch. op.15d (1990) | cl, va, pf | 12′ |
Kyburz, Hanspeter (1960) |
Danse Aveugle (1996-97) | fl, cl, vl, vc, pf | 18′ | |
Lachenmann, Helmut (1935) |
Allegro Sostenuto (1986-88) | cl, vc, pf | 34′ | |
Dal Niente (1970) | cl | 12′ | |
Fünf Variationen über ein Thema von Franz Schubert (1956) | pf | 7′ | |
Guero (1970-88) | pf | 3′ | |
Pression (1969-2010) | vc | 9′ | |
Serynade (1998-2000) | pf | 32′ | |
String Trio (1965) | vl, va, vc | 10′ | |
temA (1968) | fl, v, vc | 14′ | |
Toccatina (1986) | vl | 5′ | |
Trio Fluido (1966-67) | cl, va, perc | 16′ |
Languillat, Raphael (1989) |
Crucifixion (D’Après le Perugin) (2015) | fl, cl, perc, pf, vl, vc | 13′ |
Lanza, Mauro (1975) |
John Conway in Gondola – in Compagnia di Marcel Proust e Augusto Salvadori (2015) | vl, vc, pf | 5′ | |
Le nubi non scoppiano per il peso (2017) ** | sop / 2cl, perc, tbn, pf, vl, va, vc / elec / water drops | 21′ | |
La Bataille de Caresme et de Charnage (2012) ** | vc, pf (2nd version: vc, elec) | 14′ | |
Mess (2008) | pf | 6′ | |
Predellino (2005) | pf | 6′ | |
Systema Naturae (2013-17) (with Andrea Valle) * | vl, va, vc, fl, ob, cl, sax, perc, pf, gtr + electromagnetic devices | 12′ | |
The Skin of the Onion (2002) | fl, cl, perc, pf, vl, vc | 10′ | |
Tutto ciò che è solido si dissolve nell’aria (2015) | fl, cl, perc, pf, va, vc | 10′ |
Lauvray, Quentin (1997) |
Legaki, Vasiliki (1976) |
Ortsa | vl, va | ||
Leitempergher, Simonluca |
Watchamacallit (2017) * | ensemble and live electronics | ||
Ligeti, György (1923-2006) |
Lim, Liza (1966) |
The Heasrt’s Ear (1997) | fl, cl, 2 vl, va, vc | 12′ | |
Lin, Wei-Chieh (1982) |
Om (2016) | fl, cl, vl, va, vc, pf | 15′ | |
Lo Curto, Giovanni Enrico (1980) |
L’Essere della Musica | vl | 6′ | |
Natura Renovatur (2014) * | cl, vl, va, vc, pf | 10′ | |
Nuovi Fiori Musicali (2013) * | fl, cl, perc, pf, vl, va, vc | 11′ |
Lopez, George (1955) |
Dehnbare Puppe mit Reißverschluss (2003) * | fl, cl, va, vc, pf | 15′ |
Lucier, Alvin (1931-2021) |
13 Degrees of Darkness (2013) | fl, elec | 13′ | |
Empty Vessels (1997) | installation | ||
Love Song (2016) | 2vl, elec | ||
Music for Cello with One or More Amplified Vases (1992) | vc, elec |
Lutoslawski, Witold (1913-1994) |
Dance Preludes (1954) | cl, pf | 12′ | |