Repertorio M-Z
| Maderna, Bruno (1920-1973) |
| Piece pour Ivri (1971) | vl | 12′ | |
| Viola (1971) | va | 8′ | |
| Widmung (1967) | vl | 11′ |
| Magnan, Carla (1968) |
| Margini uno (2010) | vl, va, vc, pf | 7′ | |
| Magnanensi, Giorgio (1960) |
| Il Tempo dei Baleni (2010) * | fl, cl, vl, va, vc, pf | 4′ | |
| Mahler, Gustav (1860-1911) |
| Quartet (1876) | vl, va, vc, pf | 10′ | |
| Malipiero, Gian Francesco (1882-1973) |
| Quartetto n.3 “Cantari alla madrigalesca” (1931) | 2 vl, va, vc | 15′ |
| Manca, Gabriele (1957) |
| Acromatopsia II (2003) | cl, va, vc, pf | 6′ | |
| Il Paesaggio degli Insetti (1988) | sop, fl, cl, vl, va, vc | 8′ | |
| Rien Va (2005) | bfl, cl, vl, vc, pf | 5′ |
| Manfrin, Luigi (1961) |
| Crystal Flows… Embodying B(l)ackness (2016) | fl, cl, vl, va, vc, pf, elec gtr, perc | 8′ |
| Manzoni, Giacomo (1932) |
| Frase (1988) | cl, pf | 5′ | |
| Il mare azzurro…ritraendosi (2020) | mez, bfl, bcl, va, vc | 10′ | |
| Preludio – “Grave” di Waring Cuney – Finale (1956) | v, cl, vl, va, vc | 8′ |
| Mariani, Berardo (1954) |
| Strip (1995) | vl | 4′ |
| Marsicano, Raffaele (1987) |
| Placenta (2017) * | sop, performer, ensemble | 20′ | |
| Mattevi, Andrea (1986) |
| Rifrazioni oltre il limite del metafisico (2016-19) * | fl, cl, vl, va, vc, pf | 10′ |
| McKinley, Maxime (1979) |
| Mauricio (2010) | vl, vc, pf | 15′ |
| Mendellsohn Bartholdy, Felix (1809-1847) |
| Quartet op.13 (1827) | 2 vl, va, vc | 30′ | |
| Messiaen, Olivier (1908-1992) |
| Harawi (1945) | sop, pf | 59′ | |
| Le Merle Noir (1952) | fl, pf | 7′ | |
| Quatuor pour la Fin du Temps (1941) | cl, vl, vc, pf | 47′ | |
| da Vingt regards sur l’Enfant-Jésus: 10 “Regard de l’esprit de joie” (1944) | pf | 9′ | |
| da Vingt regards sur l’Enfant-Jésus: 15 “Le baiser de l’Enfant-Jésus” (1944) | pf | 11′ |
| Miyoshi, Akira (1933-2013) |
| Hommage (1979) | fl, vl, pf | 5′ | |
| Mochizuki, Misato (1969) |
| All that Including Me (1996) ** | bfl, cl, vl | 12′ | |
| Etheric Blueprint Trilogy (2006-2014) * | ensemble | 52′ | |
| Intermezzi (1998) | fl, pf | 8′ | |
| Voilages (2000) ** | fl, cl, vl, va, vc, pf | 12′ |
| Momi, Marco (1968) |
| Due nudi (2013) | va | 7′ | |
| Iconica (2007) ** | fl, cl, vl, va, vc, pf | 13′ | |
| Iconica II (2008) | sax, 2 perc, pf, 2 vl, va, db | 12′ | |
| Iconica IV (2010) | fl, cl, vl, va, vc, pf, elec | 15′ | |
| Les Mots (2005) ** | fl, cl, tpt, perc, pf, vl, va, vc, sop | 12′ | |
| Unrisen (2016) | pf, 2 vl, va, vc, elec | 30′ |
| Montalbetti, Mauro (1969) |
| Crisalide d’Aria (2012) | cl, pf | 8′ | |
| Montalti, Vittorio (1984) |
| Untitled n.2 (2007) * | 2 vl, va, vc | 8′ | |
| Mosca, Luca (1957) |
| Quintetto (1998) | pf, fl, cl, vl, vc | 11′ | |
| Movio, Simone (1978) |
| Incanto XXII (2019-2020) * | pf | 13′ | |
| Libro di terra e d’incanti (su poesie di Andrea Bajani) (2019) * | sop / fl, cl, vl, va, vc, pf | 55′ | |
| Logos II (2015) * | fl, cl, vl, va, vc, pf | 18′ |
| Mozart, Wolfgang Amadeus (1756-1791) |
| Kegelstatt-Trio K.498 (1786) | cl, va, pf | 20′ | |
| Piano quartet K.493 | pf, vl, va, vc | 37′ | |
| Quartet K. Anh. 171 (K258b) (1778) | fl, vl, va, vc | 10′ | |
| Quartet K.285 (1777) | fl, vl, va, vc | 14′ | |
| Quintet K.581 (1789) | cl, 2 vl, va, vc | 33′ |
| Mundry, Isabel (1963) |
| Traces des Moments (2000) | cl, vl, va, vc, acc | 13′ | |
| Muntendorf, Brigitta (1982) |
| Shivers on Speed (2013) | bfl, bcl, vl, vc, pf | 10′ | |
| Murail, Tristan (1947) |
| C’est un jardin secret, ma soeur, ma fiancée, une source scellée, una fontaine close… (1976) | va | 4′ | |
| Le Lac (2001) | 2 fl, ob, 2 cl, bn, hn, tpt, tbn, 2 perc, hp, pf, 2 vl, va, 2 vc, db | 23′ |
| Nathan, Eric (1983) |
| One Voice (2008) | fl, ob, cl, bn, hn, tpt, tbn, tba, 2 perc, hp, pf, 2 vl, va, vc, db | 7′ | |
| Netti, Giorgio (1963) |
| Dalla Tentazione di Sant’Antonio (1986) | vl | 12′ | |
| Inoltre (2005-06) | 2 vl | 14′ | |
| ) place ( (2001-02) | 2 vl, va, vc | 27′ | |
| Rinascere Sirena (1986) | vl, va, vc | 24′ | |
| Tête (2008-09) | vc, elec | 8′ |
| Nieder, Fabio (1957) |
| 27 Haidenburger Vogellaute (2015) | fl | 20′ | |
| Minima (2017-18) | cl | 5′ | |
| Parlando (2020) * | pf | 7′ | |
| Terracotta (1995) | cl | 2′ | |
| Traumvogelchromatik (2002) | cl, 2vl, va, vc | 10′ |
| Nono, Luigi (1924-1990) |
| Guai ai Gelidi Mostri (1983-88) | 2 alt, fl, cl, tba, va, vc, db, elec | 28′ | |
| Hay que caminar, soñando (1989) | 2 vl | 25′ | |
| Nova, Riccardo (1960) |
| Yagé Howl (con Fausto sullo sfondo) (2014) * | vl, va, vc, fl, cl, tpt, perc, gtr, bgtr, keyboard, pf(keyboard), elec | 18′ |
| /nu/thing (A. Agostini, D. Ghisi, R. Grimaldi, E. Maestri, A. Sarto) |
| I Mille Fuochi dell’Universo (2017) * | fl, cl, pf, vl, va, vc, db, elec | 39′ | |
| Oppo, Franco (1935-2016) |
| Amply (1976) | 2 amplified strings | ||
| Panariello, Cladio (1989) |
| Macchina Anatomica (2016) | fl, cl, perc, pf, vl, vc | 7′ | |
| Paredes, Hilda (1957) |
| Corazón de Onix (2005) ** | fl, cl, pf, vl, va, vc | 13′ | |
| Pauset, Brice (1965) |
| Le Voix Humanes (2006) ** | vl, va, vc, pf | 16′ | |
| Theorie der Tränen: Schlamm (2008) ** | bcl, vl, va, vc, pf | 24′ |
| Perezzani, Paolo (1955) |
| Cantata Scenica | bar, 2 vl, va, vc | 16′ | |
| Quartetto n.2 (1996) | 2 vl, va, vc | 12′ |
| Perocco, Filippo (1972) |
| Dai Preludi – Interludi (2015-2017) * | fl, cl, pf, vl, va, vc | 11′ | |
| Pésson, Gérard (1958) |
| Cassation (2003) ** | cl, vl, va, vc, pf | 17′ | |
| Fureur contre informe (pour une Tombeau d’Anatole) (1998) ** | vl, va, vc | 9′ | |
| La Vita è come un Albero di Natale (1992) ** | vl, pf | 2′ | |
| Mes Béatitudes (1995) ** | pf, vl, va, vc | 15′ | |
| Nebenstück (1998) ** | cl, 2 vl, va, vc | 9′ | |
| Nocturnès en Quatuor (2003) ** | cl, vl, vc, pf | 11′ | |
| Non sapremo mai di questo mi (1991) ** | fl, vl, pf | 2′ | |
| Rebus (1999) ** | fl, cl, vl, va, vc | 2′ |
| Petrassi, Goffredo (1904-2003) |
| Duetto (1959) | vl, va | 16′ | |
| Trio (1985) | vl, va, vc | 8′ |
| Pierini, Stefano (1971) |
| INVENZIONI (Solo V) * (2022) | pf, elec | 22′ |
| Pintscher, Mattias (1971) |
| Study II for Treatise on the Veil (2006) ** | vl, va, vc | 15′ |
| Platini, Giacomo (1967) |
| IxI (one times only) (2012) * | vl, vc | 10′ | |
| Platz, Robert H. P. (1951) |
| Dense – Echo (1994-96) ** | fl, cl, pf, vl, vc | 8′ | |
| Dur moll hören (2015-16) ** | fl, cl, vl, va, vc, pf, elec | 7′ | |
| Echo-Hüllen danach (2002) ** | fl, cl, pf, vl, va, vc | 14′ | |
| Hören (2015-16) ** | pf, elec | 7′ | |
| Leere Mitte (1994-2004) ** | va, elec | 10′ | |
| Senko-hana-bi, In Yoshitake’s garden (1997-2000) ** | fl, cl | 4′ | |
| Wunderblock (2007-08) ** | fl, cl, perc, vl, va, vc | 8′ |
| Pomarico, Emilio (1953) |
| Nachtfragmente (1994-96) | vl, va, vc | ||
| Quaderno Giallo (1995-98) | vl, va, vc |
| Poppe, Enno (1969) |
| Fingernagel (2009) | vl, va | 2′ | |
| Salz (2010) | fl, ob, cl, sax, bn, 2 perc, keyboard, vl, va, vc | 15′ | |
| Schweiß (2005) | vc / bfl, bcl, vl, va | 4′ |
| Portera, Andrea (1973) |
| Algoritmo Intuitivo (2012) | fl, cl, vl, va, vc, pf | 7′ | |
| Poulenc, Francis (1899-1963) |
| Clarinet Sonata (1962) | cl, pf | 14′ | |
| Praderio, Carlo Elia (1993) |
| Crinale b (2022) * | tbn, elec | ||
| Prokof’ev, Sergj (1891-1953) |
| 5 Melodies op.35 (1925) | vl, pf | 12′ | |
| Querfurth, Kaspar (1990) |
| Radivojevic, Nemanja |
| Courants II: Unreality Of All Things (2015) | fl, cl, perc, pf, vl, vc | 10′ |
| Radulescu, Horatiu (1942-2008) |
| Ravel, Maurice (1875-1937) |
| Chansons Madécasses (1925-26) | vl, va, vc, pf | 14′ | |
| Miroirs (1904-05) | pf | 28′ |
| Reich, Steve (1936) |
| Different trains (1988) | 2vl, va, vc, elec | 28′ |
| Rihm, Wolfgang (1952) |
| Fetzen 2 (2002) | 2 vl, va, vc | 4′ | |
| Rivas, Sebastian (1975) |
| L’Ombre d’un Doute (2004) | cl, vl, vc, pf | 6′ | |
| Orbis Tertius (2008) | 2 vl, va, vc, elec | 15′ |
| Rojac, Corrado (1968) |
| Musica Socchiusa (2017) * | cl, fl, vl, va, vc, pf | 6′ | |
| Nelle Linee (1998) | cl, fl, vl, va, vc, pf | 7′ |
| Romano, Lorenzo (1985) |
| Yet to be born (2019) | 2 dancers | 45′ |
| Romitelli, Fausto (1963- 2004) |
| Domeniche alla Periferia dell’Impero (1996-2000) | fl, cl, vl, vc | 11′ | |
| La Sabbia del Tempo (1991) | fl, cl, bn, keyboard, vl, va, vc | 13′ | |
| Natura Morta con Fiamme (1991-92) | 2 vl, va, vc (elec. string quartet) | 11′ | |
| Professo Bad Trip. Lesson I – II – III (1998-1999-2000) | fl, cl, tpt, perc, egtr, bgter, pf(keyboard), vl, va, vc, elec | 41′ |
| Saariaho, Kaija(1952-2023) |
| Nocturne (1994) | vl | 6′ | |
| Saleri, Mauro (1980) |
| A Play in Rebellion (2017) * | sop, 2 performers, ensemble, sound sculptures, elec | 20′ | |
| Sani, Nicola (1961) |
| Oltre il Deserto Spazio (2002) | fl, cl, vl, vc, pf | 10′ | |
| Sannicandro, Valerio (1971) |
| A Book of Clouds (2016) | 2 vl, va, vc,elec | ||
| Santini, Giovanni |
| Downfall (2014) | fl, cl, vl, va, vc, pf, perc | 8′ | |
| Scelsi, Giacinto (1905-1988) |
| Coelocanth (1955) | va | 10′ | |
| Elohim (1965-67) | 10 amplified strings | 5′ | |
| Ko-Lho (1966) | fl, cl | 7′ | |
| Manto (1957) | va | 6′ | |
| Suite (1953) | fl, cl | 10′ | |
| Trio (1958) | vl, va, vc | 15′ |
| Scholl, Damian (1988) |
| Schönberg, Arnold (1874-1951) |
| Kammersymphonie op.9 (trascr. Anton Webern) (1925) | fl, cl, vl, vc, pf | 20′ | |
| Drei Klavierstücke op.11 (1909-10) | pf | 14′ | |
| Pierrot Lunaire op.12 (1912) | fl, cl, vl, va, vc, pf | 38′ | |
| Quartet in D (1897) | 2 vl, va, vc | 22′ | |
| Sechs kleine Klavierstücke op.19 (1913) | pf | ||
| Suite op.25 (1921-23) | pf | 16′ | |
| Trio op.45 (1946) | vl, va, vc | 20′ | |
| Verklärte Nacht op.4 (1899) | 2 vl, 2 va, 2 vc | 28′ |
| Schnittke, Alfred (1934-1998) |
| Quartet (after Mahler) (1988) | vl, va, vc, pf | 7′ | |
| Schumann, Robert (1810-1856) |
| Märchenerzählungen op.132 (1853) | cl, va, pf | 16′ |
| Sciarrino, Salvatore (1847) |
| Canzona di ringraziamento (1985) | fl | 7′ | |
| Capriccio n.1 (1976) | vl | 2′ | |
| Capriccio n.2 (1976) | vl | 5′ | |
| Capriccio n.6 (1976) | vl | 5′ | |
| Centauro Marino (1884) | vl, va, vc | 10′ | |
| Codex Purpureus (1983) | cl, va, pf | 9′ | |
| Infinito nero (1998) | voice / fl, ob, cl, perc, pf, vl, va, vc | 30′ | |
| La Malinconia (1980) | vl, va | 3′ | |
| Omaggio a Burri (1995) | fl, cl, vl | 11′ | |
| Quartetto n.7 (1999-2000) | cl, 2vl, va, vc | 8′ | |
| Quintettino n.1 (1976) | cl, 2vl, va, vc | 4′ | |
| Trio n.2 (1987) | vl, vc, pf | 12′ | |
| Una lettera e sei canti (2022) * | sop, fl, cl, pf, vl, va, vc | 30′ |
| Scodanibbio, Stefano (1956-2012) |
| Mas Lugares (2003) | 2 vl, va, vc | 21′ | |
| Quodlibet (1991) | va, vc |
| Seither, Charlotte (1965) |
| Ask Him! (2014) | pf | 5′ | |
| Klang und Schwebung (1996) | pf | 6′ | |
| Tre Acque con Ombre (2013) * | cl, vl, va, vc, pf | 10′ |
| Solbiati, Alessandro (1956) |
| Four Lieder on Winterreise by Franz Schubert (2010) | vl, va | 12′ | |
| Sestetto a Gérard (2006) | fl, cl, vl, va, vc, pf | 21′ |
| Šostakovič, Dmitrij (1906-1975) |
| Quartet n.13 op.138 (1970) | 2 vl, va, vc | 19′ | |
| Steen-Andersen, Simon (1976) |
| Beside Besides – Next to Beside Besides #0 (2003/2015) | vc | 4′ | |
| Im Rauschen (2012) ** | piccolo (playable by non flutist), fl, cl, elec | 9′ | |
| Next to Beside Besides #4 (2003-06/2016) | perc | 4′ | |
| Rerendered (2003-04) | pf, 2 assistant | 10′ |
| Stier, Sebastian (1970) |
| Hin Her (2002-04) | cl, vl, acc | 9′ | |
| Stockausen, Karlheinz (1928-2007) |
| Tierkreis (1974-75) | fl, cl, tpt, pf | 26′ | |
| Stravinsky, Igor (1882-1971) |
| 3 Pieces (1919) | cl | 4′ | |
| Streich, Lisa (1985) |
| Francesca (2016-2019) | fl, ob, cl, perc, pf, vl, va, vc | 25′ |
| Stroppa, Marco (1959) |
| Hommage à Gy. K. (1997-2003/2011) | cl, va, pf | 18′ | |
| Nous somme l’Air, pas le Terre (12003-04/2009) | va, acc | 10′ |
| Sugiyama, Yoichi (1969) |
| Barcaruola (2000) | va | 5′ | |
| Barcaruola II (2010) * | fl, cl, vl, va, vc, pf | 5′ | |
| Beyonf the Frontier (2003) * | fl, cl, vl, vc, pf | 9′ | |
| Divertimento I (1997) | fl, cl, vl, vc, pf | 17′ |
| Taglietti, Gabrio (1955) |
| Lune (1986) | cl, hn, vl, va, vc, pf | ||
| Takahashi, Yuji (1938) |
| For you I sing this song (1976) | cl, vl, vc, pf | ||
| Gandharva | cl | ||
| Stone | vc |
| Takemitsu, Tōru (1930-1996) |
| Air (1995) | fl | 7′ | |
| Itinerant (1989) | fl | 4′ | |
| Landscape (1960) | 2 vl, va, vc | 6′ |
| Tenney, James (1934-2006) |
| Terranova, Daniela (1977) |
| Rainbow dust in the sky (2018) * | vl, va, vc | 5′ | |
| Toro Perez, Germán (1964) |
| Rulfo Echos 2 (2006) | vl, va, vc, elec | 9′ | |
| Toscano, Roberto (1982) |
| On Aphasia (2014) * | mez, 2 vl, va, vc, fl, cl, pf | ||
| Traversa, Martino (1960) |
| Manhattan Bridge, 4:30 am (2008) | 6 instruments | 6′ | |
| Troiani, Lorenzo (1989) |
| Cara è la Fine (2015) | vl | 9′ | |
| La fine è senza fine (2017) | fl, cl, vl, vc, pf | 12′ | |
| Late Song (2022-23) * | sop / fl, cl, vl, va, vc, pf | 10′ | |
| Qui sono inafferrabile (2017) | vc | 10′ | |
| Sotterranee. In Ombra (2013-14) | bcl, vl, vc | 8′ |
| Turazzi, Emiliano (1970) |
| Queartetto (2012-2016) * | 2vl, va, vc | ||
| Quelli che vivono (2013) * | 6 players, elec | 15′ | |
| Ti dico guarda, ascolta * | 6 players | 10′ |
| Ullmann, Viktor (1898-1944) |
| Quartet n.3 (1943) | 2 vl, va, vc | 12′ | |
| Urquiza, Mikel (1988) |
| Cinq pieges brefs (2012) | vl, vc, pf | 8′ | |
| Pièges de neige (2018) | cl, vc, pf | 15′ | |
| Vacchi, Fabio (1949) |
| Luoghi Immaginari (1987) | fl, cl, bn, vib, hp, pf, vl, va, vc | 34′ | |
| Orna Buio Ciel (2000) | vl, vc, pf | 5′ |
| Vago, Luca (1971) |
| Lampos * | cl, vc, pf | 20′ | |
| Masquerade * | cl, vl, va, vc | 8′ |
| Valli, Luca (1985) |
| Picana (2017) * | vl, va, vc, elec | 5′ | |
| Quattro Disturbi di Linea (2015) * | fl, cl, vc | ||
| VLC+ (Via Crucis) (2017) * | vl, va, vc | 12′ |
| Varèse, Edgar (1883-1965) |
| Vassena, Nadir (1970) |
| Rivolto verso Terra (2011) | vl, vc | 10′ | |
| Venturi, Francesco (1987) |
| Zaaz (2017) * | bass, fl, sax, 2 perc, vl, va, vc | ||
| Verrando, Giovanni (1965) |
| First Born Unicorn, remind me what we’re fighting for (2001) | fl | 6′ | |
| Second Born Unicorn, remind me what we’re fighting for (2002) | pf | 7′ | |
| Third Born Unicorn, remind me what we’re fighting for (2009) | elec. vl | 5′ | |
| Fourth Born Unicorn – Angular version (2016) | va | 5′ | |
| Fifth Born Unicorn (2016) | vc | 7′ | |
| Sixth Born Unicorn (2018) | elec. gtr | 7′ | |
| Seventh Born Unicorn (2020) | cl | 7′ | |
| Il ruvido dettaglio celebrato da Aby Warburg (2002) * | fl, cl, vl, vc, pf | 11′ | |
| Krummholz (2013-14) * | vl, va, vc, perc | 10′ | |
| Quartetto n.3 (2003) | 2 vl, va, vc | 12′ | |
| Quattro invenzioni sull’Offerta Musicale (1995) | fl, vl, va, vc, pf(hpd) | 13′ | |
| Second Born Unicorn, remind me what we’re fighting for (2002) | pf | 7′ |
| Verunelli, Francesca (1979) |
| Cinemaolio (2014-15) ** | fl, cl, pf, vl, va, vc | 23′ | |
| Unfolding (2012) | 2 vl, va, vc | 20′ | |
| Vitucci, Francesco (1991) |
| Projections (2023) * | vl, va, vc | ||
| Vlad, Roman (1919-2013) |
| Improvvisazione su di una melodia (1973) | cl, pf | 9′ | |
| Quintetto (2001) | 2 vl, va, vc, pf | 20′ |
| Webern, Anton (1883-1945) |
| Drei kleine Stücke op.11 (1924) | vc, pf | 3′ | |
| String Trio op.20 (1926-27) | vl, va, vc | 11′ | |
| Variations op.27 (1936) | pf | 5′ |
| Widmann, Jörg (1973) |
| Fünf Bruchstücke (1997) | cl, pf | 7′ | |
| Williamson, Gordon (1974) |
| Poco a poco meno mosso (2002) | vl, va | 9′ | |
| Wolff, Christian (1934) |
| Serenade (1950) | fl, cl, vl | 7′ | |
| Wolpe, Stefan (1902-1972) |
| Musik zu Hamlet (1929) | fl, cl, vc | 5′ | |
| Wozny, Joanna (1973) |
| Die Spur der Welle (2007) ** | fl, cl, va | ||
| Xenakis, Iannis (1922-2001) |
| Charisma (1971) | cl, vc | 5′ | |
| Mikka (1976) | vl | 4′ | |
| Nomos Alpha (1965) | vc | 13′ |
| Zender, Hans (1936) |
| LO-SHU VI – 5 Haikai (1989) | fl, vc | 25′ | |
| Zimmermann, Bernd Alois (1918-1970) |
| Intercomunicazione (1967) | vc, pf | variable duration |


